Anni Albers

Preliminary Design for Wall Hanging, 1926
Gouache and pencil on paper; 10 x 8 in. (25.4 x 20.3 cm) Museum of Modern Art, New York 398.1951. Gift of the designer
Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY © 2021 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York

Design for Jute Rug, 1927
Watercolor and india ink on paper; 13 ⅝ x 10 ⅜ in. (136.4 x 26.3 cm). Museum of Modern Art, New York 403.195. Gift of the designer
Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY © 2021 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York

Monte Alban, 1936
Silk, linen, wool, 57 ½ x 44 ⅛ in. (146 x 112 cm). Harvard Art Museums/Busch-Reisinger Museum BR81.5. Gift of Mr. and Mrs. Richard G. Leahy
© 2021 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York

La Luz I, 1947
Linen and metallic thread, 18 ½ x 32 ½ in. (47 x 82.5 cm). The Josef and Anni Albers Foundation, Bethany 1994.12.2. Photo: Tim Nighswander/Imaging4Art
© 2021 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York

Anni Albers and Alexander Reed, Necklace, c. 1940
Aluminum strainer, paper clips, and chain. Length: 20 in. (50.8 cm); strainer: 3 in. (7.6 cm) diam. The Josef and Anni Albers Foundation, Bethany 1994.14.16. Photo: Tim Nighswander/Imaging4Art
© 2021 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York

Free-Hanging Room Divider, 1949
Cellophane and cord, 94 x 32 ½ in. (238.7 x 82.5 cm). Museum of Modern Art, New York 409.1960. Gift of the designer
Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY © 2021 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York

Installation view of Anni Albers Textiles, September 14, 1949–November 6, 1949
Gelatin silver print, 7 ½ x 9 ½ in. (19 x 24.1 cm). Photographic Archive. The Museum of Modern Art Archives, New York IN421.3. Photograph by Soichi Sunami
Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Line Involvement V, 1964
Two-color stone lithograph
19 ¾ x 14 ½ in. (50.2 x 36.8 cm). The Josef and Anni Albers Foundation, Bethany 1994.11.5.e. Photo: Tim Nighswander/Imaging4Art
© 2021 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York

Fox I, 1972
Photo-offset, 24 x 20 in. (61 x 50.8 cm). The Josef and Anni Albers Foundation, Bethany 1994.11.23. Photo: Tim Nighswander/Imaging4Art
© 2021 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York

Study for Temple Emanu-El Ark Panels, 1957
Foil and metallic thread on card, 17 x 14 ½ in. (43.2 x 36.8 cm). The Josef and Anni Albers Foundation, Bethany 1994.10.95. Photo: Tim Nighswander/Imaging4Art
© 2021 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York

Interior of the Temple Emanu-El, Dallas, Texas, showing ark covering designed by Anni Albers, 1957

Six Prayers, 1966-67
Cotton, linen, bast and silver thread,
73 ¼ x 117 in. (186.1 x 297.2 cm) The Jewish Museum, New York, Gift of the Albert A. List Family, JM 14972.16 Photo: The Jewish Museum/Art Resource, NY
© 2021 The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York
Fritz Ascher

Golgotha, 1915
Oil on canvas, 53.4 x 69 in. (35.5 x 175 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Golem, 1916
Oil on canvas, 71.9 x 55.3 in. (182.5 x 140.5 cm). Jewish Museum Berlin GEM 93 2 0
© Bianca Stock

The Tortured, 1920s
Oil on canvas, 59 x 79.4 in. (149 x 200 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Men Fighting, c. 1918
Graphite on paper, 12.8 x 20 in. (32,4 x 49.6 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Figural Scene (Inferno?), 1915
White gouache and black ink over watercolour and graphite on paper, 18.2 x 23 in. (46 x 58.5 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Man Running, c. 1918
Graphite on paper, 9 x 11 in. (23.2 x 28.5 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Bajazzo, 1924/1945
Oil on canvas, 47.6 x 39 in. (121 x 99 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Male Portrait, 1920s/1945
Oil on canvas, 23.4 x 20.1 in. (59.5 x 51 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Bajazzo, 1963
Black ink on paper, 24 x 17 in. (61 x 43 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Blossoming Trees, 1950s
Oil on canvas, 39.4 x 37.4 in. (100 x 95 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Landscape, 1961
Black ink over watercolor on paper, 14.75 x 17.75 in. (37.5 x 45.1 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Trees in Hilly Landscape, 1968
Oil on canvas, 27.6 x 31.5 in. (70 x 80 cm). Photo Malcolm Varon. Photo Malcolm Varon. Private collection
© Bianca Stock

Portrait, 1950
Black ink on paper, 11.5 x 8.2 in. (29 x 20.5 cm).
Photo Malcolm Varon. Private collection
© Bianca Stock

Portrait, 1950
Black ink on paper, 11.5 x 8.2 in. (29 x 20.5 cm).
Photo Malcolm Varon. Private collection
© Bianca Stock

Portrait, 1950
Black ink on paper, 11.5 x 8.2 in. (29 x 20.5 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Two Sunflowers, c. 1959
White gouache and black ink over watercolor on paper, 24.5 x 17.6 in. (62.5 x 44.8 cm). Photo Malcolm Varon. Private collection
© Bianca Stock

Sunflower, c. 1958
White gouache and black ink over watercolor on paper, 13.6 x 13.6 in. (34.5 x 34.5 cm) Photo Malcolm Varon. Private collection
© Bianca Stock

Sunflower, c. 1963
Watercolor on paper, 24 x 16.9 in. (61 x 43 cm). Photo Malcolm Varon. Private collection
© Bianca Stock
Friedel Dzubas

Early Grave, 1957
Oil on canvas, 94 ⅞ x 47 in. (241 x 120 cm). Collection of the Middlebury College Museum of Art, Middlebury, Vermont
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York

Virgin, 1962
Oil on canvas, 65 x 77 in. (165.1 x 197.4 cm). Private collection
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York

Patmos, 1974-75
Magna (acrylic) on canvas, 3 ft. 5 in. x 17 ft. 4 in. (104.1 x 528.3 cm). Private collection
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York

Monk, 1960
Oil on canvas, 93 x 72 in. (237.4 x 184.1 cm). Collection of the Estate of Friedel Dzubas Digital image from Loretta Howard Gallery, New York
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York

Betrayal, 1960
Oil on canvas, 95 x 71 in. (241.3 x 180.3 cm). Collection of the Estate of Friedel Dzubas
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York

Temptation, 1960
Oil on canvas, 93 x 72 in. (237.4 x 184.1 cm). Collection of the Estate of Friedel Dzubas. Digital Image courtesy of Loretta Howard Gallery, New York
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York

Blackbird, 1960
Oil on canvas, diameter: 57 in. (144.78 cm). Collection of the Estate of Friedel Dzubas. Image courtesy of Loretta Howard Gallery, New York
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York

Rex, 1961
Oil on canvas, diameter: 80 in. (203.2 cm). Digital photograph by Jason Mandella. Collection of the Estate of Friedel Dzubas
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York

Self-Portrait, 1961
Oil on canvas, 43 ¾ x 54 in. (111.12 x 137.1 cm) Collection of the Friedel Dzubas Estate, Inventory no. 055. Photograph by Jason Mandella
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York

Red Heart, 1980
Magna on canvas, 72 x 72 in. (182.8 x 182.8 cm). Private collection
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York

Cleavage, 1990
Magna (acrylic) on canvas, 101 3⁄16 x 43 11⁄16 in. (257 x 110.9 cm). Private collection. Digital image provided by the Archives of American Art, Washington, D.C.
© 2021 Estate of Friedel Dzubas / Artists Rights Society (ARS), New York
Eva Hesse

No Title (Self-portrait), 1960
Oil on canvas, 16 x 18 in. May be in a private collection; it was auctioned on 19 October 2004 by Bonhams in London
© 2021 Estate of Eva Hesse. Galerie Hauser & Wirth

Ringaround Arosie, 1965
Pencil, acetone, varnish, enamel paint, ink, and cloth covered electrical wire on papier-mâché and masonite, 26 ⅜ x 16 ½ x 4 ½ in. (67 x 41.9 x 11.4 cm). Museum of Modern Art 240.2005. Fractional and promised gift of Kathy and Richard S. Fuld, Jr.
© 2021 Estate of Eva Hesse. Galerie Hauser & Wirth

No Title, 1966
Acrylic paint, cord over papier-mache on wood, 7 ½ x7 ½ x 4 in. The LeWitt Collection, Chester CT
© 2021 Estate of Eva Hesse. Galerie Hauser & Wirth

Hang Up, 1966
Acrylic on cloth over wood and steel, 72 x 84 x 78 in. The Art Institute of Chicago
© 2021 Estate of Eva Hesse. Galerie Hauser & Wirth

Schema, 1967
Latex, 42 x 42 in. (106.7 x 106.7 cm) each (144 individual pieces): 1 ⅜ x 2 ½ inches (3.5 x 6.4 cm).
Philadelphia Museum of Art 1979-185-1. Gift of Helen Hesse Charash, 1979
© 2021 Estate of Eva Hesse. Galerie Hauser & Wirth

No Title (For Gioia), 1969
Private collection
© 2021 Estate of Eva Hesse. Galerie Hauser & Wirth

Expanded Expansion, 1969
Fiberglass and latex on cheesecloth, 3 units of 3, 5, and 7 poles each, 120 x 180-240 in. per unit. Guggenheim Museum
© 2021 Estate of Eva Hesse. Galerie Hauser & Wirth

No Title, 1969-70
Latex, rope, string, and wire, dimensions variable.
Whitney Museum of American Art 88.17a-b. Whitney Museum of American Art, New York
Digital Image © Whitney Museum of American Art/Licensed by SCALA/Art Resource, NY. © 2021 Estate of Eva Hesse. Galerie Hauser & Wirth

Contingent, 1969
Cheesecloth, latex, fiberglass, 8 units, each 9 ½ x 3-4 in. (overall 350 h x 630 w x 109 d cm each panel). The National Gallery of Australia, Canberra. Purchased 1973
© 2021 Estate of Eva Hesse. Galerie Hauser & Wirth
Rudi Lesser

Untitled (Ring Fight), 1925/26
Drypoint etching, 7 x 7 ¾ in. (17.8 x 19.6 cm). Lindenau-Museum Altenburg
© Volkmar Reichmann

Untitled (Nero Before Burning Rome), 1923
Drypoint etching, 9.5 x 7 in. (23.5 x 17.4 cm). Private collection Berlin
© Volkmar Reichmann

Untitled (Crucifixion Scene), 1922
Drypoint etching, 6 ¾ x 9 in. (16.7 x 22.7 cm). Oberoesterreichische Landesmuseen Linz
© Volkmar Reichmann

Pogrom in the Middle Ages, 1930
Drypoint etching, 6 x 7 in. (15 x 17.4 cm). Leo Baeck Institute, NYC
© Volkmar Reichmann

Untitled (Drunk Lying on the Street), 1928
Drypoint etching, 4 ½ x 7 in. (11.9 x 17.8 cm). Private collection Berlin
© Volkmar Reichmann

Berlin, Street in (Berlin-) Wedding, 1928
Etching, 24.7 x 29.3 cm. Photo Museumsquartier Osnabrück. Felix-Nussbaum-Haus im Museumsquartier Osnabrück

From Denmark (Worker in the Gravel Pit), 1933
Drypoint etching, 9.4 x 11.8 in. (23.9 x 29.9 cm). Galerie Taube, Berlin
© Volkmar Reichmann

Boats on Ven Island (Boote auf Ven), 1936
Drypoint etching with aquatint, 11 ⅞ x 15 ⅞ in. (29.5 x 39.9 cm). Private collection Berlin
© Volkmar Reichmann

Brussel, 1935
Etching, 6.9 x 9.7 in. (17.6 x 24.7 cm). Photo Museumsquartier Osnabrück. Felix-Nussbaum-Haus im Museumsquartier Osnabrück

Untitled (Night Crossing), 1955
Woodcut, 20 ¾ x 9 ⅝ in. (52.3 x 24.1 cm). Private collection
© Volkmar Reichmann

Grete (the artist’s daughter), 1958
Drypoint etching, 15 ½ x 1 in. (39.5 x 20.3 cm). Private collection
© Volkmar Reichmann

Lovers with Bird, 1946
Drypoint etching, 8 ⅜ x 7 in. (14.3 x 11.5 cm). Private collection Berlin
© Volkmar Reichmann

Self-Portrait, 1987
Drypoint etching; 5 ¾ x 4 ½ in. (14.6 x 11.43 cm). Private collection Berlin
© Volkmar Reichmann

Grandmother Bianca Lesser, 1930
Drypoint etching, 5.6 x 4.5 in. (14.3 x 11.5 cm). Private collection Berlin
© Volkmar Reichmann

Untitled (Dog in the Ruined Quarter), 1956
Drypoint etching with aquatint, 13 x 19 ½ in. (32.8 x 49.9 cm). Private collection Berlin
© Volkmar Reichmann

Portinho, 1986
Drypoint etching; 11 ½ x 19 ½ in. (29.7 x 49.6 cm). Private collection Berlin
© Volkmar Reichmann
Lily Renée

Childhood artwork, n.d.
Lily Renée collection
© Lily Renée

Longing for an Island Life, January 1939
India ink, gouache and pencil on paper. Lily Renée collection
© Lily Renée

Drawing of Tarzan and Jane, New York 1942
India ink and pencil on paper. Lily Renée collection
© Lily Renée

Jane Martin, 1943
Wings Comics 35, Fiction House, New York, 1943

Jane Martin, 1943
Wings Comics 34, Fiction House, New York, 1943, 41

Jane Martin, 1944
Wings Comics 48, Fiction House, New York, August 1944, 1

The Werewolf Hunter, 1947
Rangers Comics 37, Fiction House, New York, October 1947

The Werewolf Hunter, 1948
Rangers Comics 40, Fiction House, New York, April 1948

The Werewolf Hunter, 1947
Rangers Comics 37, Fiction House, New York, October 1947

Señorita Rio, 1946
Proof, India ink, ink, pencil, white heightening and colored crayon on paper. Fight Comics no. 44, Fiction House, New York, June 1946, 5. Lily Renée collection
© Lily Renée

Señorita Rio, 1946
Cover, Fight Comics 47, Fiction House, New York, December 1946

Señorita Rio, 1947
Cover, Fight Comics 50, Fiction House, New York, June 1947

The Lost World, 1944
Planet Comics 33, Fiction House, New York, November 1944, 1

Retrospective self-portrait in the Vienna apartment of the Wilheim family, 1953
Gouache, watercolor, India ink, and pencil on paper, New York 1953. Nina Phillips private collection
© Lily Renée
Arthur Szyk

The Painter and the Clipper, Ottawa, 1940
Graphite, colored pencil, ink on paper
9.8 x 11.5 in. (24.8 x 29.2 cm). United States Holocaust Memorial Museum Collection
Gift of Joseph and Alexandra Braciejowski

Greeting the Luftwaffe. Ottawa, 1949
Graphite, colored pencil, ink on paper
6.7 x 12.4 in. (17 x 31.6 cm). United States Holocaust Memorial Museum Collection. Gift of Joseph and Alexandra Braciejowski

Cover illustration, 1944, for his book Ink and Blood (New York: Heritage Press, 1946)
Ink, paint, graphite, colored pencil on paper, 10 x 7.5 in. (25.4 x 19.1 cm). United States Holocaust Memorial Museum Collection
Gift of Joseph and Alexandra Braciejowski

Sein Kampf, caricature of Charles Lindbergh, New York, 1941
Graphite, ink on paper 11.9 x 8.5 in. (30.2 x 21.6 cm). United States Holocaust Memorial Museum Collection
Gift of Joseph and Alexandra Braciejowski

Good Work, Lindchen, caricature of Charles Lindbergh, New York, 1941
Ink, graphite on paper, dimensions.
United States Holocaust Memorial Museum Collection.
Gift of Joseph and Alexandra Braciejowski

Caricature of Senator Gerald P. Nye, New York, 1941
Graphite, ink on paper, 11.9 x 8.9 in. (30.2 x 22.5). United States Holocaust Memorial Museum Collection. Gift of Joseph and Alexandra Braciejowski

Poland Greets Her Good Neighbors, page removed from The New Order (New York: G. P. Putnam’s Sons, 1941)
Ink on paper, printed, 9.8 x 7.5 in. (24.8 x 19 cm). United States Holocaust Memorial Museum Collection. Gift of Philip R. House

A Madman’s Dream, page removed from The New Order (New York: G. P. Putnam’s Sons, 1941)
Ink on paper, printed, 7.5 x 9.9 in. (19 x 25 cm). United States Holocaust Memorial Museum Collection. Gift of Philip R. House

Enemies of the Third Reich, page removed from The New Order (New York: G. P. Putnam’s Sons, 1941)
Ink on paper, 9.8 x 7.5 in. (24.8 x 19.1 cm). United States Holocaust Memorial Museum Collection. Gift of Philip R. House

Tears of Rage, fundraising print for the Emergency Committee to Save the Jewish People of Europe, 1944
Ink on paper, 10 x 8 in. (25.4 x 20.3 cm). United States Holocaust Memorial Museum Collection. Gift of Richard Tesler

Modern Moses, fundraising print for the Emergency Committee to Save the Jewish People of Europe, 1944
Ink on paper, 10 x 8 in. (25.4 x 20.3 cm). United States Holocaust Memorial Museum Collection. Gift of Richard Tesler

Poster stamps created for the Emergency Committee to Save the Jewish People of Europe; designed 1942, issued 1944-1945
Together: 2 x 8.4 in. (5.1 x 21.3 cm). United States Holocaust Memorial Museum Collection

Fundraising poster stamps illustrating President Roosevelt’s Four Freedoms for the Emergency Committee to Save the Jewish People of Europe, c. 1944
Ink on paper, adhesive. Together: 4.5 x 3 in. (11.4 x 7.6 cm). United States Holocaust Memorial Museum Collection